Do you mean "siege" by chance? I'm not sure since it is a title of a chapter (and it could be referring to a name or something). Just in case, I guess. =P
Can I start out with saying I -love- it when you review this? You're just about the only source of consistent crticism I've had in the four months I've been a serious writer. Thank you.
Yes, I meant Siege. Thanks for pointing it out!
For some reason, "Oh snap" entered my head, lulz. I guess it was the early connection between adult Cyrus, and teenage Cyrus who may be leaning or thinking about that ideology. "Here's where it begins," and all that fun stuff.
Wee! Indeed.
I actually wasn't sure how old Cyrus was in your first chapter; I figured he was a bit older, but I'm definitely intrigued on how you're going to portray Cyrus as a teenager. It's oddly refreshing to see Cyrus not so nihilistic/narcissistic but rather ... well, I guess he is still slightly cynical, but no more than an average teenager or trainer who has been traveling for years now, I suppose. His narrative is certainly clever. I noticed that you slipped in words like "eliminate" and refer to people as "humans" instead, which is very Cyrus-like, but it's not in reference to overly-complicated topics, or topics that adult Cyrus would be interested in. "Fossil fuels needed to be eliminated." Pretty sneaky, if you're doing that on purpose. =P I do like that when he does comment on the actions of humans, like the use of fossil fuels, or the damaging of property via pokemon battles, he doesn't seem to do it in disdain. He is certainly self-aware of the problems that human causes, but he doesn't seem to be bitter about it ... yet.
I'm glad someone likes the way I'm portraying him! One of the many things I worry about on this. x_x;
Right. Anyway.
I'm a little confused with this sentence, though I think it's a structure problem. Like you may not need the comma, but even then, the sentence doesn't make that much sense (so I can see why you think the pause there was warranted). It could be because it's a little chunkier than needed. Maybe
All one needed to do to understand why he would want to get out was to look him in the eyes.
Since you already referenced "lovely town" in the sentence before. But meh. =P
I'll use that instead. Sounds better to me.
Oh, you ellipse-er, you. This sentence is a bit long, even if you didn't tack on the "for he already" part. You might want to consider semicolon-ing it instead to make the research part a little snappier:
Cyrus only wanted confirmation for the slight bit of doubt in his head that all human minds carried on themselves, but for the most part he knew he was correct already; he had already researched the place.
But your choice.
Once again, sounds better.
"Was" might be better off as "had."
fix'd.
Booth
fix'd.
"He" should be lower-case.
fix'd.
Occurred
fix'd.
The comma in red should be a period. Also, the comma between "apprehensiveness" and "but" isn't necessary.
D: Interesting. "All too familiar sound" ... I wonder why Cyrus would be familiar with a gun (I assume it's a gun). I'm a little confused by your description here. The back of your forehead? Is that super fancy description for "back of your head" or did you just mean "forehead?"
Meant back of head! Sheesh.
I'd like to comment on the simplicity here (I mean this in a good way). I suppose I should have expected something from the robot randomly falling to the ground (I guess I did), but I do like that you didn't really make a huge deal out of narrative/description with this scene. I think that simple "click" was enough to alert readers of something. So while I was expecting something odd, I wasn't sure what. A neat mixture of knowing but not knowing, you know?
Yeah.
=| Lol.
Yeah. It works a lot better in a suspense scene to leave things up to the imagination of the reader, in my opinion.
Lot of "then"'s here. I think the first one is a mistake.
Indeed it was. fix'd.
I like this bit and how quick the conversation goes. =P It makes Volkner's slip more believable, and his lie afterward more amusing. Plus that little bit of thought in between ... =3
You know, I'm a big fan of the word "crap" in stories. I abuse that poor word a lot, too, but it's fitting for a lot of occasions, isn't it? It's such a small word, but it describe a character's mood so fittingly at the same time.
I know, right?
You might want to delete the "and" between "nodded" and "reached."
I didn't intend to put it in the first place. Ayeeiii, I really need to get to proofreading better. x_x;
All the other commas in red aren't needed.
Fix'd.
Period in red should be a comma.
Now sounds like a prime opportunity to say, "Oh snap." =P
Once again, I do enjoy Volker's sass/snark here. xP
On a side note, you can spell "damn it" as "dammit" or even make it one fun ole "goddammit." Preferences, though. =P
Hehe, like this bit, too. No sense makes sense for the situation, if that made sense.
Indeed it did.
I was gonna be lame and add a "but that's my two cents" after that, but then that's just corny territory.
I would have laughed my *** off at that. In fact, I just did.
Interrupting.
fix'd
Also quoted this whole thing because I like the snark in it as well ("as if the gesture would suddenly heal the wound.") and the somewhat smart-*** comment Volkner made out of him. He must be a fun character to write. =P
Some fun twists of events. I'm going to assume Volker's drug side effects are going to kick in sooner or later in the next chapter. I wonder who "they" is and why they picked the Valley Windworks to take hostage to make money. Do people visit the Valley Windworks that often? I guess it is new ...
A few things I was a little skeptical about, like the whole "nine one one dollars minus zero thing" and the "G.U.N" policy. Aren't those kind of obvious clues that may agitate the gunmen under the desk? And the leg is an interesting place to hold someone hostage by. =P If the guy was under the desk, I figured there might be more subtle ways to indicate that Cyrus was in trouble (I mean, the guy has limited vision past Cyrus head, I assume). But eh. Whatever gets the job done, I suppose.
Indeed. I sort of stole the scene from "Hancock", and I couldn't quite figure out much else with the gun situation. As you said, whatever gets the job done.
And hey! You cut down on ellipses a bit. XP
Overall, a good chapter. It was nice to see you use different perspectives, and therefore two different writing styles/narratives; it shows that you're pretty flexible as a writer.
Yay! I'm flexible! Screw writing, I'm gonna get a job as a professional contortionist- oh, a flexible writer. Not physically...
... not gonna cry.